The Spanish Viceroyalty 

In November 1519, the army of the Spanish soldier Hernán Cortés beheld for the first time the great Aztec capital of Tenochtitlan.  The shimmering city, which seemed to be floating on the water, was built on an island in the middle of Lake Texcoco in the Valley of Mexico. One of Cortés’ companions later recalled the wonder the Spanish felt at that moment: “When we saw so many cities and villages built on the water and other great towers on dry land and that straight and level causeway going towards [Tenochtitlan], we were amazed  . . . on account of the great towers and temples and buildings rising from the water, and all built of masonry.  And some of our soldiers even asked where the things we saw were not a dream.” (Bernal Díaz del Castillo, cited in Coe and Koontz 2005, p. 190)[1]

Córtes set out immediately for Tenochtitlán and sent Motecuhzoma’s treasures to the Queen of Spain and her son Charles V in order to justify his wholly unauthorized activities on the American mainland.  A year later Albrecht Durer saw them displayed in Brussels where Charles halted for a while on his way to be enthroned as Holy Roman Emperor in Aix-la-Chapelle.  He wrote in his diary on 27 August 1520:

I saw the things which have been brought to the King from the new golden land . . . a sun of all gold a whole fathom broad, and a moon all of silver of the same size, also two rooms full of armour of the people there, and all manner of wonderous weapons of theirs, harness and darts, wonderful shields, strange clothing, bedspreads, and all kinds of wonderful objects of various uses, much more beautiful to behold than prodigies.  These things were all so precious that they have been valued at 100,000 gold florins. All the days of my life I have seen nothing that has gladdened my heart so much as these things, for I saw amongst them wonderful works of art, and I marvelled at the subtle ingenia of men in foreign lands.  Indeed, I cannot express all that I thought there.[2]

  1. Marilyn Stokstad, Art History, vol. 2, 4th ed, (Upper Saddle River, NJ: Prentice Hall: 2011), 838.
  2. Hugh Honour & John Fleming, The Visual Arts: A History, revised 7th ed., (New Jersey: Pearson Education Inc, 2010), 517.

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