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The Writing Process: Drafting, Revising, and Reflecting

13 Prewriting

Ann Inoshita; Karyl Garland; Kate Sims; Jeanne K. Tsutsui Keuma; Tasha Williams; and Marisa Yerace

Like we discussed in Chapter 3, writing processes are changeable and recursive. Your writing process will adapt to the needs of your writing task or assignment, and you likely won’t perfectly follow a series of “steps” for your writing. In this part, we’ll dig into these steps a little further.

Prewriting is an essential activity for most writers. Through robust prewriting, writers generate ideas, explore directions, and find their way into their writing. When students attempt to write an essay without developing their ideas, strategizing their desired structure, and focusing on precision with words and phrases, they can end up with a “premature draft”—one that is more writer-based than reader-based and, thus, might not be received by readers in the way the writer intended.

In addition, a lack of prewriting can cause students to experience writer’s block. Writer’s block is the feeling of being stuck when faced with a writing task. It is often caused by fear, anxiety, or a tendency toward perfectionism, but it can be overcome through prewriting activities that allow writers to relax, catch their breath, gather ideas, and gain momentum.

Here are some goals of prewriting:

  • Contemplating the many possible ideas worth writing about.
  • Developing ideas through brainstorming, freewriting, and focused writing.
  • Planning the structure of the essay overall so as to have a solid introduction, meaningful body paragraphs, and a purposeful conclusion.

13.1 Discovering and Developing Ideas

13.1.1 Quick Prewriting Activities

Quick strategies for developing ideas include brainstorming, freewriting, and focused writing. These activities are done quickly, with a sense of freedom, while writers silence their inner critic. In her book Wild Mind, teacher and writer Natalie Goldberg describes this freedom as the “creator hand” freely allowing thoughts to flow onto the page while the “editor hand” remains silent.[1] Sometimes, these techniques are done in a timed situation (usually two to ten minutes), which allows writers to get through the shallow thoughts and dive deeper to access the depths of the mind.

Brainstorming begins with writing down or typing a few words and then filling the page with words and ideas that are related or that seem important without allowing the inner critic to tell the writer if these ideas are acceptable or not. Writers do this quickly and without too much contemplation. Students will know when they are succeeding because the lists are made without stopping.

Freewriting is the “most effective way” to improve one’s writing, according to Peter Elbow, the educator and writer who first coined the term “freewriting” in pivotal book Writing Without Teachers, published in 1973. Freewriting is a great technique for loosening up the writing muscle. To freewrite, writers must silence the inner critic and the “editor hand” and allow the “creator hand” a specified amount of time (usually from 10 to 20 minutes) to write nonstop about whatever comes to mind. The goal is to keep the hand moving, the mind contemplating, and the individual writing. If writers feel stuck, they just keep writing “I don’t know what to write” until new ideas form and develop in the mind and flow onto the page.

Focused freewriting entails writing freely—and without stopping, during a limited time—about a specific topic. Once writers are relaxed and exploring freely, they may be surprised about the ideas that emerge.

13.1.2 Researching

Unlike quick prewriting activities, researching is best done slowly and methodically and, depending on the project, can take a considerable amount of time. Researching is exciting, as students activate their curiosity and learn about the topic, developing ideas about the direction of their writing. The goal of researching is to gain background understanding on a topic and to check one’s original ideas against those of experts. However, it is important for the writer to be aware that the process of conducting research can become a trap for procrastinators. Students often feel like researching a topic is the same as doing the assignment, but it’s not.

The two aspects of researching that are often misunderstood are as follows:

  1. Writers start the research process too late so the information they find never really becomes their own setting themselves up for way more quoting, paraphrasing, and summarizing the words of others than is appropriate. For college-level research-based writing, we suggest using roughly 70% your own words and 30% the words of others. Your voice should lead the paper, and lack of time to write and develop your own ideas can get in the way of that.
  2. Writers become so involved in the research process that they don’t start the actual writing process soon enough so as to meet a due date with a well written, edited, and revised finished composition.

Researching falls under prewriting because it helps you explore your research question in a way that informs, rather than merely supports, your argument. See Part V for more on Research as Inquiry.

13.1.3 Audience and Purpose

It’s important that writers identify the audience and the purpose of a piece of writing. To whom is the writer communicating? Why is the writer writing? Students often say they are writing for whomever is grading their work at the end. However, most students will be sharing their writing with peers and reviewers (e.g., writing tutors, peer mentors). The audience of any piece of college writing is, at the very minimum, the class as a whole. As such, it’s important for the writer to consider the expertise of the readers, which includes their peers and professors). There are even broader applications. For example, students could even send their college writing to a newspaper or a legislator, or share it online for the purpose of informing or persuading decision-makers to make changes to improve the community. Good writers know their audience and maintain a purpose to mindfully help and intentionally shape their essays for meaning and impact. Students should think beyond their classroom and about how their writing could have an impact on their campus community, their neighborhood, and the wider world.


  1. Goldberg, Natalie. Wild Mind: Living the Writer's Life. Bantam Books, 1990.

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Prewriting Copyright © by Ann Inoshita; Karyl Garland; Kate Sims; Jeanne K. Tsutsui Keuma; Tasha Williams; and Marisa Yerace is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License, except where otherwise noted.

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