The Gupta Empire and India’s Classical Age (300 – 600 CE)
The pattern of regional states characteristic of post-Mauryan times and the early centuries of the Common Era will persist in India until the sixteenth century. At any one time, India had many kings. But on occasion, one king might forge a substantial regional power and assume grand titles that elevated him over others. The political scene, therefore, consisted of not only a mosaic of royal powers but also a political hierarchy. Some rulers held power over others, making for a pattern of paramountcy and subordination among kings and princes of many different dynasties across the land. These paramount powers could then take advantage of the stability they established and the wealth they accrued to patronize the arts and promote a cultural renaissance. The Gupta Empire is the pre-eminent example of such a power during the period 300 – 600 CE; indeed, some historians see the time during which they dominated northern India as a classical age.
As is the case for so much of India’s ancient political history, details concerning Gupta rulers have been reconstructed largely from coins, inscriptions, and seals. The dynasty begins in obscurity with two kings of a minor state located along the Ganges River, but then explodes on the scene with the next two kings: Chandragupta I (c. 320 – 335) and his son Samudragupta (c. 335 – 375). Through conquest and marital alliances, Chandragupta I forged a larger empire in the old Ganges heartland (see Map 3.16). A gold coin provides some of the evidence detailing the Gupta Empire. This coin displays Chandragupta standing next to a certain Queen Kumaradevi. He has taken the title “Great King of Kings,” which signifies imperial power, while she is identified as the princess of a powerful neighboring kingdom (see Figure 3.12).
During his forty-year reign, Samudragupta made the empire great, a feat most forcefully evidenced by a royal eulogy inscribed on one of the old edict pillars of King Ashoka. This eulogy, which describes Samudragupta as “conqueror of the four corners of the earth,” tells of how he subdued dozens of kings across the subcontinent. Closer to home, along the Ganges, many rulers were slain and their territory was annexed, while farther out across northern India and to the southeast, others were “captured and liberated.” These captured and liberated kings were recognized as “servants,” which meant they could continue to rule their own lands as subordinates, on the condition that they paid tribute and homage. Gupta rulers thus directly administered a core territory along the Ganges River while adopting a model of tributary overlordship for the rest. The Gupta imperial court in effect presided over a society of tributary rulers.
After Samudragupta’s time, two more Gupta rulers enjoyed long reigns of forty years, with the empire reaching a peak of power and prosperity. But in the sixth century, decline set in. A series of weaker rulers faced internal dissension at home and foreign invasion from abroad. A great nomadic power known as the Huns emerged out of Central Asia and invaded the northwest, destabilizing Gupta rule. Subordinate rulers then began to break away, and smaller kingdoms replaced the empire. After the sixth century, India entered a new stage in its history.
But there is more to these centuries than high politics. Again, the Gupta era is often labeled as a classical age for India. A period in the history of a civilization’s being labeled as classical generally means it was a time of artistic and intellectual excellence, with its having attained standard-setting achievements in a number of fields. Classical also suggests a certain level of maturation for a civilization. It should be noted, however, that some scholars question the use of this term because all ages produce great works, and sometimes choosing one period as classical simply represents the biased judgment of a later time.
Yet, during the Gupta era, India did produce important scientific discoveries and works of art and literature. The exquisite sculptures of the Buddha portraying his serene enlightenment and teaching were the epitome of the classical achievement in art (see Figure 3.13). India also saw an outpouring of literary masterpieces. Kalidasa is one of India’s greatest Sanskrit poets and playwrights. His play The Recognition of Shakuntala, a world masterpiece, tells the story of a girl who lived in a hermitage in the countryside after being abandoned by her parents. One day, a king was out hunting and chanced upon her. They fell in love and married. But then he hurried back to his palace and when she later came to him he no longer knew her because he had been cursed. The only solution for her dilemma was for her to present a ring he had left her. Unfortunately, it had slipped off her finger. The play tells of how this love story concluded, along with the involvement of many higher powers.
In the field of medicine, Ayurveda matured as more complete editions of ancient medical texts were compiled. Ayurveda (meaning “knowledge for longevity”) is India’s ancient medical science. It provides a systematic effort to explain the origins of diseases in dislocations of bodily humors (substances) and to prescribe cures for them. India also saw advancements in the fields of astronomy and mathematics. Aryabhata (476 – 550 CE), for instance, was the first astronomer to propose that the earth rotated on an axis and a scientific explanation for eclipses. He calculated pi to 3.1416 and the solar year to 364.3586805 days. His work demonstrates the contemporary use of a sophisticated system of decimal notation, which was also an ancient Indian discovery.