Chapter
Now it’s your turn to join the conversation. As you write, keep your audience in mind as well as the principles of inclusivity and anti-racism that you have learned about. Consider how you can share your personal experiences, ideas, and beliefs in a way that is inclusive of all and shows sensitivity to the culture of your readers.
Joining the Conversation
Exercise 1: Character Sketch and Captured Moment
Because your cultural memory may be tied to a person, a character sketch might help you think about its significance. A character sketch is a brief description of a real or fictional person—in this case, likely someone you know or even yourself. In it, you describe the character’s personality, physical traits, habits, history, relationships, and ties to the cultural artifact. You may include research about the character to introduce readers to them. Use the following format if you need more guidance:
Character Sketch
- Introduction
- Quotation
- Anecdote about the character
- Most important traits
- Supporting Details
- Physical appearance
- Actions
- Thoughts
- Language
- Ties to cultural artifact
A character sketch of your grandmother might read as follows.
My first memory of Nonna materializes in the kitchen, where we are baking Swedish cookies together. She carefully shows me how to measure ingredients, stirring with her hand over mine in her deep “cookie-making” bowl. Nonna is a slight woman with a big heart full of kindness. She teaches me many skills, both in and out of the kitchen, that I still use today. Some have proven to be life lessons. She never met a stranger she didn’t like and often said it takes more effort to be unkind than kind. Because of Nonna, the Swedish cookie has become a metaphor for my life. The ingredients of one’s life make up an identity, and the combination is always delicious.
Examining Cultural Artifacts
Another journaling technique is to record a captured moment through the examination of a cultural artifact. This exercise lets you use an artifact as a means to look at an event in your life and create a written piece that captures its importance, emotion, or meaning. Select an artifact and an experience. Think about what they mean to you. What do you remember, and why? Then go deeper. Analyze the long-term meaning of it in your life. Try to recreate the artifact and then the experience in your mind, and relive the sensations you experienced in the moment.
Exercise 2: Explore a Cultural Artifact
Once you have chosen your artifact, do a prewriting exercise called a free-write. In this activity, set a time limit (say, 10 minutes), and write whatever comes to mind about your object within that time. Don’t worry about organization, flow, grammar, punctuation, or whether your writing is “good”; just write. This exercise not only gets your creative juices flowing but also allows you to put pen to paper and opens your mind to what may be subconscious thoughts about the object as it relates to culture.
Next, it is time to take a more refined approach to planning your writing. To help shape your writing use a separate sheet of paper to answer the questions in the table below.
| Who is my audience? | |
| What is my purpose for writing? | |
| What organizational strategies will I use? | |
| How will I introduce my artifact? | |
| How will I describe my artifact using sensory language? | |
| Will I share personal anecdotes, examples, or ideas? | |
| How will I add cultural context to my writing to help my audience understand my culture? | |
| What transitions will I use? | |
| How will I end my writing? |
Drafting: Critical Context
Cultural Context
Sharing cultural context helps your readers understand elements of culture they may be unfamiliar with. Consider what background information you need to provide, especially information that is integral to readers’ understanding of the traditions, beliefs, and actions that relate to your artifact. Essentially, you will need to close the gap between your own culture and that of your readers.
Consider the following sensory description of Broadway in New York, written by British novelist Charles Dickens (1812–1870) in his book American Notes for General Circulation (1842). What does Dickens, as a British observer, note about this street in America? How does he use language to convey what he sees, hears, and smells? In what ways does he use language to convey a British viewpoint?
Warm weather! The sun strikes upon our heads at this open window, as though its rays were concentrated through a burning-glass; but the day is in its zenith, and the season an unusual one. Was there ever such a sunny street as this Broadway! The pavement stones are polished with the tread of feet until they shine again; the red bricks of the houses might be yet in the dry, hot kilns; and the roofs of those omnibuses look as though, if water were poured on them, they would hiss and smoke, and smell like half-quenched fires. No stint of omnibuses here! Half-a-dozen have gone by within as many minutes. Plenty of hackney cabs and coaches too; gigs, phaetons, large-wheeled tilburies, and private carriages—rather of a clumsy make, and not very different from the public vehicles, but built for the heavy roads beyond the city pavement. . . . [C]oachmen . . . in straw hats, black hats, white hats, glazed caps, fur caps; in coats of drab, black, brown, green, blue, nankeen, striped jean and linen; and there, in that one instance (look while it passes, or it will be too late), in suits of livery. Some southern republican that, who puts his blacks in uniform, and swells with Sultan pomp and power. Yonder, where that phaeton with the well-clipped pair of grays has stopped—standing at their heads now—is a Yorkshire groom, who has not been very long in these parts, and looks sorrowfully round for a companion pair of top-boots, which he may traverse the city half a year without meeting. Heaven save the ladies, how they dress! We have seen more colours in these ten minutes, than we should have seen elsewhere, in as many days. What various parasols! what rainbow silks and satins! what pinking of thin stockings, and pinching of thin shoes, and fluttering of ribbons and silk tassels, and display of rich cloaks with gaudy hoods and linings! The young gentlemen are fond, you see, of turning down their shirt-collars and cultivating their whiskers, especially under the chin; but they cannot approach the ladies in their dress or bearing, being, to say the truth, humanity of quite another sort. Byrons of the desk and counter, pass on, and let us see what kind of men those are behind ye: those two labourers in holiday clothes, of whom one carries in his hand a crumpled scrap of paper from which he tries to spell out a hard name, while the other looks about for it on all the doors and windows.
Now, how might Dickens go on to provide context and make connections between British and American cultures so that readers understand both more keenly?
Although American Notes is generally critical of the United States, this description creates a positive mood, as if Dickens recognizes something of home during his visit to Broadway—a cultural artifact. This recognition suggests that moments of unexpected joy can create connections between cultures.
Peer Review
One of the most helpful parts of the writing process can be soliciting input from a peer reviewer. This input will be particularly helpful for this assignment if the peer reviewer is not a member of the culture you are writing about. An outsider’s view will help you determine whether you have included an appropriate cultural context. Peer reviewers can use the following sentence starters to provide feedback.
- One piece of your writing I found meaningful was ________.
- Something new I learned about your culture is ________; you explained this well by ________.
- Something I was confused by was ________; I don’t understand this because ________.
- A major point that I think needs more detail or explanation is ________.
- In my opinion, the purpose of your paper is ________.
- To me, it seems that your audience is ________.
- I would describe the voice of your piece as ________.
- I think you could better build cultural context by ________.
Revision
Writing is a recursive process; you will push forward, step back, and repeat steps multiple times as your ideas develop and change. As you reread, you may want to add, delete, reorder, or otherwise change your draft. This response is natural. You may need to return to the brainstorming process to mine for new ideas or organizational principles.
As you reread and prepare for revisions, focus on the voice you have used. If a friend were to read your draft, could they “hear” you in it? If not, work on revising to create a more natural cadence and tone. Another area of focus should be to explain cultural context and build cultural bridges. Use your peer reviewer’s feedback to develop a piece that will be meaningful to your audience.
While describing your artifact is likely a deeply personal endeavor, an important part of writing is to consider your audience. Composition offers a unique opportunity to build and share cultural understanding. One way to achieve this goal is by using anti-racist and inclusive language. Try to view your composition from outside of your own experience.
- Is any language or are any ideas harmful or offensive to other cultures?
- Are you using the language of preference for a specified group?
- Can people of various abilities read and understand your writing?
One overarching strategy you can use for anti-racist revision is to constantly question commonly used words and phrases. For example, the word Eskimo is a European term used to describe people living in the Arctic without regard for differentiation. The term was later used to describe a popular frozen treat known as an Eskimo pie. Today, the term is considered offensive to Inuit communities—Indigenous people living in Alaska, Canada, and Greenland. You can also make yourself aware of the evolving preferences for language use. For example, the term Negro gave way to African American, which is now giving way to the term Black. Finally, consider the use of the word see, for example, to mean “to understand.” Do you see what I mean? Is the use of see in this way inclusive of a visually impaired person who may be reading your text? To start, determine one or two places to include anti-racist or inclusive language or ideas in your writing and build those into your piece.
LICENSE AND ATTRIBUTION
Adapted from Michelle Bachelor Robinson and Maria Jerskey’s “2.5 Writing Process: Thinking Critically about how Identity is Constructed through Writing” of Writing Guide with Handbook, 2021, used according to CC by 4.0. Access for free at https://openstax.org/books/writing-guide/pages/2-5-writing-process-thinking-critically-about-how-identity-is-constructed-through-writing